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8 January 1836 – 25 June 1912. Most renowned painters.

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Thomas Pakenham
The Battle of Arklow on 9 June,the Turning point of the Wexford rising

ID: 49397

Thomas Pakenham The Battle of Arklow on 9 June,the Turning point of the Wexford rising
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Thomas Pakenham The Battle of Arklow on 9 June,the Turning point of the Wexford rising


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Dublin harbour with the domed Custom House in the background | General Lake accepts General Humbert-s sword as a token of surrender at Ballinamuck | daughter | William Sadler-s dramatic reconstruction of a calvary charge in 1798 | Wolfe Tone in the Uniform of a French Adjutant general as he apeared at his court-martial in Dublin |
Related Artists:
Bartolomeo Montagna
Orzinuovi ca 1450-Vicenza 1523 .Painter and draughtsman. Montagna is first documented in 1459 in Vicenza as a minor and, still a minor, in 1467. In 1469 he is recorded as a resident of Venice. In 1474 he was living in Vicenza where, in 1476 and 1478, he was commissioned to paint altarpieces (now lost). He has variously been considered a pupil of Andrea Mantegna (Vasari), Giovanni Bellini, Antonello da Messina, Alvise Vivarini, Domenico Morone and Vittore Carpaccio. While none of these artists, except Carpaccio, was irrelevant to Montagna's stylistic formation, scholars agree that Giovanni Bellini was the primary influence on his art. He may have worked in Bellini's shop around 1470. Several of Montagna's paintings of the Virgin and Child in which the influence of Antonello da Messina is especially marked (e.g. two in Belluno, Mus. Civ.; London, N.G., see Davies, no. 802) are likely to be close in date to Antonello's sojourn in Venice (1475-6); they are therefore best considered Montagna's earliest extant works (Gilbert, 1967) rather than as an unexplained parenthesis around 1485 between two Bellinesque phases (Puppi, 1962). These early paintings appear to be followed by others in which the geometrically rounded forms derived from Antonello become more slender and sharper-edged. Their figures are imbued with a deeply felt, individual humanity, sometimes austere and minatory, sometimes tender. Among them are some larger-scale works,
Robert Peake the Elder
1576-1626 British Robert Peake Gallery
Samuel Dircksz van Hoogstraten
1627-1678 Flemish Samuel Dircksz Van Hoogstraten Galleries






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